Towards Better Democracy

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ulio Cortázar: Cortázar lee a Cortázar – Audiolibro


Cortázar lee a Cortázar, es una serie de audios grabados en París (1966) por el Gran Poeta Argentino Julio Cortázar en su voz única, firme e inconfundible.

 

Con esa erre afrancesada que hipnotiza, graba 12 lecturas de Rayuela, Historias de Cronopios y Famas y La Vuelta al día en 80 mundos que contiene el material.

Es sin duda, un tesoro directo de la voz del autor que es imprescindible para quienes lo queremos tanto.

Grabado en París en diciembre de 1966. Es de notar que las lecturas tienen comentarios previos por el autor.

Cortázar reads Cortázar, is a series of audios recorded in Paris (1966) by the Great Argentine Poet Julio Cortázar in his unique, firm and unmistakable voice.

With that French-speaking err that hypnotizes, he records 12 readings of Hopscotch, Stories of Chronos and Fame and La Vuelta a day in 80 worlds containing the material.

It is undoubtedly a direct treasure of the author’s voice that is essential for those who love it so much.

Recorded in Paris in December 1966. It should be noted that the readings have previous comments by the author.

01. Introducción: 0:00 02.
Continuidad de los parques: 4:57 03.
Acerca de su mala pronunciación:: 8:52 04.
Me caigo y me levanto: 10:12 05.
Filantropía (Historia de Cronopios): 14:09 06.
Correos y telecomunicaciones: 15:22 07.
Introducción: 17:50 08.
Conducta en los velorios: 19:40
09. Capítulo 68 de ‘Rayuela’: 28:06 10.
Capítulo 32 de ‘Rayuela’ (Carta de la Maga al bebé Rocamadour): 29:37

Julio Cortázar, pseudonym Julio Denis, (born August 26, 1914, Brussels, Belgium—died February 12, 1984, Paris, France), Argentine novelist and short-story writer who combined existential questioning with experimental writing techniques in his works.

Cortázar was the son of Argentine parents and was educated in Argentina, where he taught secondary school and worked as a translator. Bestiario(1951; “Bestiary”), his first short-story collection, was published the year he moved to Paris, an act motivated by dissatisfaction with the government of Juan Perón and what he saw as the general stagnation of the Argentine middle class. He remained in Paris, where he received French citizenship in 1981, though he also kept his Argentine citizenship and remained engaged with political causes in Argentina and Nicaragua. He also traveled widely.

Another collection of short stories, Final del juego (1956; “End of the Game”), was followed by Las armas secretas (1958; “The Secret Weapons”). Some of those stories were translated into English as End of the Game, and Other Stories (1967). The main character of “El perseguidor” (“The Pursuer”), one of the stories in Las armas secretas, embodies many of the traits of Cortázar’s later characters. The metaphysical anguish that he feels in his search for artistic perfection and in his failure to come to grips with the passage of time, coupled with his rejection of 20th-century values, was among Cortázar’s central preoccupations. Another story, “Las babas del diablo” (1958; “The Devil’s Drivel”), served as the basis for Michelangelo Antonioni’s motion picture Blow-Up (1966).

Encyclopaedia Brittanica

sMalcolm D B Munro
Monday 6 January, 2020

 

 

Filed under: art, Literature, Media, Music, poetry, songs, stories

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